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ah The other thing Susan was saying just a minute
ago about the kind of uh scary future in which
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memes will be more more in charge is just interesting
because it gets back to kind of an old science
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fiction motif. know, kind of at what point does
the technology that humans have created begin
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to in some sense take over? And that's actually
an idea in this movie, Matrix, for example,
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most recently. But I think precisely because
technology itself is certainly more more animated
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ah and is moving faster and faster, I think
that's one reason that the concept of the
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meme has some valence these days and people
find it intriguing at least. Carl writes from
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Watertown, Massachusetts, one thing to consider
about this concept is that it may mask the
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influence of power and money on what we think.
believe and induce our friends and children
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to reproduce. There are people in organizations
that have greater ability to produce stable,
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hardy memes than others. There are people in
organizations that have a greater ability to
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disseminate memes into the population. Right
now, mass media seems to have a prominent monopoly
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on both the ability to produce hardy memes and
the means to disseminate them. And we know
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how concentrated the control over these media
currently are. What do think? actually in some
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ways the control over the media going left concentrated
uh... by the day certainly i mean anyone can
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can set up their own web page uh... and so in
a certain sense uh... and you know some of
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the level be broadband with the movie tv so
in a certain sense that this business i think
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is getting democratized uh... and it we've come
a long way from the day when there three or
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four channels on t v and i think we'll we'll
keep moving in that direction yet but you could
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put up your own web page with a picture of a
soft drink bottle and you wouldn't have the
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same power as coke to reproduce that curvy slim
hip thing, the coke bottle out into the rest
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of the world. No, that's absolutely true. would
start small if I were an aspiring meme engineer.
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You're listening to Talk of the Nation. I'm
Ray Suarez, my guest to Robert Wright and Susan
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Blackmore. We're going to take a short break
right now when we return. We'll continue talking
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about the meme and whether it can help us
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Welcome back to the program. I'm Ray Suarez.
Tune in at this time tomorrow to join Ira Fledo
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for the next Science Friday. He'll be in conversation
with Nobel Laureate Carrie Mullis, who invented
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a way of copying small fragments of DNA. And
if you're listening to KCUR Radio, I'll be
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in your neighborhood tomorrow at lunchtime speaking
at the Mid-America Regional Council, talking
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about sustainable urban development. And then
tomorrow night in an event sponsored by KCUR.
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You are your local public radio station. I'll
be talking at Unity Temple in Kansas City.
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give the station a call if you want more information.
Today we're talking about memes, what they
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are, do they actually exist, and whether they
can help us understand complex aspects of human
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nature and culture. My guests are Susan Blackmore,
author of The Meme Machine and a senior lecturer
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in psychology at the University of West England
in Bristol, and Robert Wright, author of The
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Moral Animal. evolutionary psychology and everyday
life. number is 800-989-8255 and Bronwyn
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is with us from Cambridge, Massachusetts. Hi
Bronwyn. Hi. I have an experience sometimes
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when I watch ads on television which resonates
with what your guest is talking about. I really
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like to watch ads. I'm very interested in them
as art and I think of myself as having a
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kind of distance from them. But every once in
a while, I just feel like a little ping or
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something, and I just realize that all of a
sudden I want that thing for a minute. I think,
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oh no, I'm going to go out and buy that thing.
So it's very strange, and it is almost like
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an infection. And then you speak about what
use of something like, say, an ad. Well, I
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think it just speaks to some need that we have
for beauty or style. uh something that you
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don't have to call beauty or style. So Bronwyn,
do you resist? I usually resist. Yeah. Well,
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I usually, once I've noticed it, I think it
kind of, it kind of dies down. Once I've seen
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that, oh, that happens. having too expensive
that I can't possibly afford. if you don't
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realize it, you're in trouble. Yeah. It's been
a very successful transfer into the ad there.
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So, I'm sure the ad people are just hoping
that you don't realize it more often than
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you do. Yeah, I think they're counting on that.
Advertising, Susan Blackmore may... I know
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that memeplex is... is sort of another level
of sophistication of what you're talking about
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but certainly people who want to push a lot
of buttons in 30 seconds uh bundle up memes
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and throw them at you in a great big bunch
sometimes. Oh yes and you can think of the
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advertising agencies as having been monastic
engineers for a long time without calling themselves
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that. They have found many of the tricks I suspect
with a lot more study of memes. they'll find
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some tricks that they haven't stumbled across
already, but they're using tricks which get
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ideas into our brains. As Bronwyn mentioned,
sometimes it's because they're beautiful or
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they really pull our heartstrings emotionally.
That's some of the reasons they get in, but
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other reasons are nastier reasons. get in because
they frighten us, because they bring up deep-seated,
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genetically-based emotional reactions and so
on. But they're the past masters of getting
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mean flexes that will make us do what they want
us to do. But don't forget that we do have
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a kind of immune reaction. It's well known
from psychological research that even very
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young kids are quite well able to discriminate
the TV program from the adverts and for very
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good reason we separate those two aspects out
reasonably thoroughly. And they're quite
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well able to separate them. And very early on
kids become quite cynical. Oh, I'm not going
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to buy that because it tells me to. So the advertisers
have to work harder and harder to uh get the
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wrong women and all those kids not to notice
that they're having their strings pulled. Bronwyn,
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thanks a lot for your call. Robert Wright, a
lot of the focus on these kinds of conversations
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for the past hundred years have been speculations
on why humans have such big brains. And there's
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Bronwyn uh using her discernment that having
a big brain has given her to sort through all
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her experiences and recognize that she's being
sucked in. ah But there we are. using memes
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as efficient ways of uh transmitting emotion,
whole long uh lists of associations that we
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don't have to go through one by one because
we're just throwing the meme out there. uh
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There's a case to be made for the big brain
in the case of uh watching that TV commercial
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and knowing you're being had, and a case for
not needing such a big brain because if we
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strip down our language and just trade memes
like bottle caps, uh... we don't have to have
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the big brain right uh... i i think there's
no doubt that that culture and you can call
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that means if you want uh... was a big part
of the evolution the genetic evolution of the
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human brain and and the brain is designed to
among other things uh... process culture now
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i think uh... uh... as is been suggested
the brain is is designed among other things
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to fend off memes that are not likely to be
useful. think that the brain is a fairly discriminating
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emulator. ah And I think Susan may have a somewhat
different view. I got the impression from
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her book that she does. And this is one reason
that ah I'm a little reluctant to of wholly
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invert my view and see the memes as in charge,
partly because people are so discriminating.
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You know, when those advertisers are trying
to push our buttons, they're trying to push
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the buttons of human nature. They have to contend
with human nature and they have to be very
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sly to do it well. And I think that will always
be the case. mean, memes will always have to
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grapple with human nature. And so it's not clear
to me that at any point it really makes sense
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to say ah the memes are in charge now. Oh, you've
picked on a really important argument here,
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and one that's been kind of picking up momentum
since the book came out, um which is only a
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few weeks ago. In the book, I think, as you
know, I made an argument that the memes had
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forced the genes to produce a big brain for
their own benefit, similarly to what I was
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arguing earlier about the memes making the internet
and so on for their own spread. And I kind
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of implied that um the big brain was... completely
useless to the genes and that it was only there
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for the means and that the genes had lost out
kind of thing. And to some extent that's the
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way I was thinking about it. I suppose because
of the numerous of this idea of the means as
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a replicator forcing the genes to do their bidding.
But since then a lot of people, you and other
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people have pointed out, but hang on a minute.